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Sign used in musical notation, a pitched soundIn, a note is a symbol denoting a musical sound. In English usage a note is also the sound itself.Note can represent the and of a sound in. A note can also represent a.Notes are the building blocks of much written music: of musical phenomena that facilitate performance, comprehension, and.The term note can be used in both generic and specific senses: one might say either 'the piece ' begins with two notes having the same pitch', or 'the piece begins with two repetitions of the same note'. In the former case, one uses note to refer to a specific musical event; in the latter, one uses the term to refer to a class of events sharing the same pitch. (See also:.).
Names of some notes without accidentalsTwo notes with in a ratio equal to any integer power of two (e.g., half, twice, or four times) are perceived as very similar. Because of that, all notes with these kinds of relations can be grouped under the same.In traditional music theory, most countries in the world use the naming convention Do–Re–Mi–Fa–Sol–La–Si, including for instance Italy, Portugal, Spain, France, Poland, Romania, most Latin American countries, Greece, Bulgaria, Turkey, Russia, and all the Arabic-speaking or Persian-speaking countries.
However, in English- and Dutch-speaking regions, pitch classes are typically represented by the first seven letters of the Latin alphabet (A, B, C, D, E, F and G). A few European countries, including Germany, adopt an almost identical notation, in which H substitutes for B (see below for details). In Indian music the names Sa–Re–Ga–Ma–Pa–Dha–Ni (सा-रे-गा-मा-पा-धा-नि) are used, as in Telugu Sa–Ri–Ga–Ma–Pa–Da–Ni (స–రి–గ–మ–ప–ద–ని), and in Tamil (ச–ரி–க–ம–ப–த–நி). Byzantium used the names Pa–Vu–Ga–Di–Ke–Zo–Ni (πΑ—Βου—Γα—Δι—κΕ—Ζω—νΗ).The eighth note, or, is given the same name as the first, but has double its frequency. The name octave is also used to indicate the span between a note and another with double frequency.
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To differentiate two notes that have the same pitch class but fall into different octaves, the system of combines a letter name with an Arabic numeral designating a specific octave. For example, the now-standard tuning pitch for most Western music, 440 Hz, is named a′ or A4.There are two formal systems to define each note and octave, the and the. Frequency vs position on. Each note shown has a frequency of the previous note multiplied by 12√ 2Additional accidentals are the double-sharp, raising the frequency by two semitones, and double-flat, lowering it by that amount.In musical notation, accidentals are placed before the note symbols. Systematic alterations to the seven lettered pitches in the scale can be indicated by placing the symbols in the, which then apply implicitly to all occurrences of corresponding notes. Explicitly noted accidentals can be used to override this effect for the remainder of a bar.
A special accidental, the symbol ♮, is used to indicate an unmodified pitch. Effects of key signature and local accidentals do not accumulate.
If the key signature indicates G ♯, a local flat before a G makes it G ♭ (not G ♮), though often this type of rare accidental is expressed as a natural, followed by a flat ( ♮ ♭) to make this clear. Likewise (and more commonly), a double sharp sign on a key signature with a single sharp ♯ indicates only a double sharp, not a triple sharp.Assuming, many accidentals will create equivalences between pitches that are written differently. For instance, raising the note B to B ♯ is equal to the note C. Assuming all such equivalences, the complete adds five additional pitch classes to the original seven lettered notes for a total of 12 (the 13th note completing the ), each separated by a half-step.Notes that belong to the relevant in the context are sometimes called notes; notes that do not meet that criterion are then sometimes called notes.Another style of notation, rarely used in English, uses the suffix 'is' to indicate a sharp and 'es' (only 's' after A and E) for a flat, e.g., Fis for F ♯, Ges for G ♭, Es for E ♭. This system first arose in Germany and is used in almost all European countries whose main language is not English, Greek, or a (French, Portuguese, Spanish, Italian, Romanian)In most countries using these suffixes, the letter H is used to represent what is B natural in English, the letter B is used instead of B ♭, and Heses (i.e., H ) is used instead of B (although Bes and Heses both denote the English B ). Dutch-speakers in Belgium and the Netherlands use the same suffixes, but applied throughout to the notes A to G, so that B, B ♭ and B have the same meaning as in English, although they are called B, Bes, and Beses instead of B, B flat and B double flat. Denmark also uses H, but uses Bes instead of Heses for B.12-tone chromatic scale The following chart lists the names used in different countries for the 12 notes of a built on C.
The corresponding symbols are shown within parenthesis. Differences between German and English notation are highlighted in bold typeface. See also:The table below shows each octave and the frequencies for every note of pitch class A. The traditional system centers on the great octave (with capital letters) and small octave (with lower case letters). Lower octaves are named 'contra' (with primes before), higher ones 'lined' (with primes after).
Another system suffixes a number (starting with 0, or sometimes −1). In this system A 4 is nowadays standardised at 440 Hz, lying in the octave containing notes from C 4 (middle C) to B 4. The lowest note on most pianos is A 0, the highest C 8.